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Technology in Dance

Across all dance genres, technology is employed onstage in a myriad of ways. Among the examples shared here, innumerable possibilities are evident.

20 performances

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Technology in Dance

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Compagnie Käfig

Pixel, 2023

The interactivity between performers and projections is a key element of this full-evening production by the French choreographer Mourad Merzouki.

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Playing 1 of 20

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Ice Dance International

Energy Flow, 2023

Outdoor ice skating on a summer day is made possible by EZ Glide synthetic ice, formed by interlocking polymer panels that mimic the properties of ice.

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Playing 2 of 20

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Bill Shannon

Maker Moves, 2022

Widely known as Crutchmaster, Bill Shannon employs crutches, skateboards, and other paraphernalia to bring his artistry to life.

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Playing 3 of 20

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Brian Brooks

Viewpoint, 2021

As Brian Brooks continues to develop the use of Augmented Reality in his work, it’s instructive to look back at this early demonstration.

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Playing 4 of 20

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Elizabeth Streb

Tip, 2021

With her Streb Extreme Action Company, Elizabeth Streb has been pushing at the boundaries of dance since the 1980s, continuing to envision new ways to empower the human body.

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Playing 5 of 20

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Red Sky Performance

Trace, 2019

Influenced by Indigenous sky and star stories, this work by Jera Wolfe and Sandra Laronde adopts contemporary stage techniques to address age-old concerns.

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Playing 6 of 20

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Ragamala Dance Company

Written in Water, 2018

This Minneapolis-based company uses projections on both the backdrop and floor to evoke a 2nd century Indian board game.

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Playing 7 of 20

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Bridgman | Packer Dance

TRUCK, 2016

Performing within a 17-foot box truck, Art Bridgman and Myrna Packer create an ever-shifting world that almost defies description.

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Playing 8 of 20

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Ira Glass, Monica Bill Barnes, Anna Bass

Three Acts, Two Dancers, One Radio Host, 2015

Reminding us that radio was once cutting-edge technology, This American Life‘s Ira Glass brings his unique voice to the concert stage.

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Playing 9 of 20

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Daniil Simkin's "INTENSIO"

Islands of Memories, 2015

The attention-grabbing video projections are created in real time here, matched by some especially dazzling dancers.

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Playing 10 of 20

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David Roussève / REALITY

Stardust, 2014

Towards the end of this clip, we meet an African American gay urban teenager who only appears onstage through projected text messages.

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Playing 11 of 20

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LEO, 2013

In this reality-bending video, we first see the full stage picture, with the live performer on the right and a real-time video image tilted 90 degrees on the left. We then shift to the tilted perspective alone and reality is literally skewed.

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Playing 12 of 20

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zoe | juniper

A Crack in Everything, 2011

The Seattle-based husband-and-wife team of choreographer Zoe Scofield and visual artist Juniper Shuey created this magical stagescape which blends two different planes of activity.

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Playing 13 of 20

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Chunky Move

Tense Dave, 2005

The stage revolves throughout the entirety of this full-evening work by Australian choreographers Gideon Obarzanek and Lucy Guerin, offering the audience a constantly shifting perspective.

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Playing 14 of 20

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MOMIX

Passion, 2002

Moses Pendleton’s full-evening work from 1991 offers a kaleidoscopic vision of a world where body, mind, and spirit are united as one.

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Playing 15 of 20

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Beppie Blankert

Dubbelspoor/Double Track, 2000

The audience for this work is sandwiched in between two stages, with the action behind them reflected by large mirrored surfaces in front. The stage magic is totally in service of expressing the text by Samuel Beckett.

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Playing 16 of 20

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Dana Reitz / Jennifer Tipton

Necessary Weather, 1997

This unique collaboration between choreographer/dancer Dana Reitz and lighting designer Jennifer Tipton explores the interrelationship between movement and light.

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Playing 17 of 20

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David Parsons

Caught, 1989

This quintessential solo never ceases to amaze audiences, and it’s danced here by its choreographer and originator.

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Playing 18 of 20

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Les Grands Ballets Canadiens

Soaring, 1982

This 1928 work by Ruth St. Denis and Doris Humphrey employs a huge expanse of silk and colorful lighting to create some striking stage effects.

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Playing 19 of 20

Ted Shawn's Men Dancers

"Mechanized Labor" from Labor Symphony, 1938

Ted Shawn begins his one-act exploration of different types of work by depicting farm laborers and ends it by illustrating that mechanization has its limitations.

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Playing 20 of 20

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