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Transcending Tragedy

Choreographers depict or respond to tragic events in all kinds of ways, and these examples help demonstrate this multiplicity as well as the universal nature of the human experience.

20 performances

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Transcending Tragedy

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Loni Landon

Solace of Surrender, 2022

This site-specific work was first performed in Brooklyn’s Green-Wood Cemetery and, in its choreographer’s words, the dance “sketches the eternal cycle of decay and rebirth.”

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Playing 1 of 20

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Michelle N. Gibson with the New Orleans Jazz Orchestra / NOJO 7

Takin' It to the Roots, 2022

Drawing upon second line traditions in her native New Orleans, Gibson demonstrates a cultural practice that has been called “a jazz funeral without a body.”

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Playing 2 of 20

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Eiko Otake

rock is broken, 2020

Two weeks after the Doris Duke Theatre was destroyed by fire, Jacob’s Pillow commissioned Eiko to interact with the theater’s ruins for this site-specific film.

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Playing 3 of 20

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Maya Beiser & Wendy Whelan

THE DAY, 2019

The events of 9/11 inspired this musical work by David Lang with text that was crowd-sourced from the internet and choreography by Lucinda Childs.

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Playing 4 of 20

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Janis Claxton Dance

POP-UP Duets (fragments of love), 2018

No tragic events are depicted in this joyous exploration of love, but choreographer Janis Claxton was in the final stages of a terminal illness and unable to accompany her dancers for this important U.S. premiere, dying  just a few weeks later at the age of 53.

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Playing 5 of 20

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Roy Assaf Dance

The Hill, 2017

Israeli choreographer Roy Assaf took both this dance’s title and its inspiration from one of the fiercest battles of the Six-Day War in 1967.

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Playing 6 of 20

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BalletX

Sunset, o639 Hours, 2016

The fatal 1938 crash of a pioneering trans-Pacific airmail plane is an unconventional theme for a ballet, but Matthew Neenan found the true story of Edwin Musick to be irresistible.

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Playing 7 of 20

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Martha Graham Dance Company

The Rite of Spring, 2013

Over the past century, Stravinsky’s explosive score has been used in all sorts of ways by a range of choreographers, though Martha Graham’s 1984 production hewed closely to the original story of a sacrificial virgin.

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Playing 8 of 20

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Jane Comfort and Company

Underground River, 2011

The premise for this Pillow-commissioned work was Jane Comfort’s imaginings of the rich interior life of a young comatose girl, enhanced by Toshi Reagon’s music and Basil Twist’s puppetry.

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Playing 9 of 20

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Lucy Guerin Inc

Structure and Sadness, 2010

This award-winning work by Australian choreographer Lucy Guerin was inspired by the West Gate Bridge collapse, a tragic event in Melbourne which claimed the lives of 35 men in 1970.

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Playing 10 of 20

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Nina Ananiashvili

The Dying Swan, 2010

Popularized by Anna Pavlova in 1907, this classic 3-minute solo can be experienced in its entirety here, accompanied live by cellist Yehuda Hanani and pianist Ramona Pansegrau.

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Playing 11 of 20

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Cedar Lake Contemporary Ballet

Orbo Novo, 2009

This world premiere by 2022 Jacob’s Pillow Dance Award winner Sidi Larbi Cherkaoui was inspired by Jill Bolte Taylor’s My Stroke of Insight about the experience of having a stroke.

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Playing 12 of 20

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Bill T. Jones / Arnie Zane Dance Company

Chapel/Chapter, 2008

Fragments of two murder stories were utilized in the text of this work, which The New York Times called “a brilliant blend of abstraction and realistic evocation.”

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Playing 13 of 20

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Rennie Harris Puremovement

Rome and Jewels, 2000

Shakespeare’s tragedies have long served as a rich resource for choreographers, with Romeo and Juliet leading the list as in this hip hop interpretation by Rennie Harris. (Also check out other versions by Joelle Bouvier and Edward Clug.)

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Playing 14 of 20

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Yin Mei

Empty Tradition / City of Peonies, 1999

China’s Cultural Revolution was the impetus for this dance, expressing Yin Mei’s own feeling that she was being “robbed of history” as she grew up during this turbulent time.

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Playing 15 of 20

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Stockholm / 59° North

Dancing on the Front Porch of Heaven, 1997

Subtitled “Odes to Love and Loss,” this work was inspired by the AIDS crisis, a disease which took the life of its choreographer, Ulysses Dove, at the age of 49.

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Playing 16 of 20

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Carmen de Lavallade

Portrait of Billie, 1992

Choreographer John Butler didn’t shy away from depicting the drug addiction and physical abuse that Billie Holiday suffered during her 44 years of hard living.

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Playing 17 of 20

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Richard Cragun

Requiem, 1983

After the choreographer John Cranko’s untimely death at the age of 45, his friend Kenneth MacMillan created this work in his memory, working with several longtime muses of Cranko’s, including Richard Cragun.

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Playing 18 of 20

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José Limón Dance Company

The Moor's Pavane, 1951

A masterful distillation of Shakespeare’s Othello, this classic’s final moments are performed here by the iconic original cast.

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Playing 19 of 20

Talley Beatty

"Mourner's Bench" from Southern Landscape, 1948

Although the source of his suffering is unspecified, this powerful depiction of mourning is comparable to Martha Graham’s Lamentation in its universality. In addition to this performance by the choreographer himself, check out Taylor Stanley’s 2022 revival.

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Playing 20 of 20

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