Black History Month
While Jacob’s Pillow celebrates its connections with black dance artists year-round, Black History Month offers a special opportunity to review some of the highlights from the 75 years since Asadata Dafora participated in the inaugural season of the Ted Shawn Theatre.
Camille A. Brown & Dancers
BLACK GIRL: Linguistic Play, 2017
Currently riding high with the Broadway revival of Once on This Island, Camille A. Brown presented her spellbinding BLACK GIRL: Linguistic Play in 2017, including the powerful solo seen here.
Supreme Love, 2017
Part of Michelle Dorrance’s rousing 2017 program entitled TIRELESS, this ensemble work pays tribute to John Coltrane’s “A Love Supreme” with live musicians onstage and four virtuoso tap artists.
Inventing Pookie Jenkins, 2010
This solo represents Kyle Abraham’s first appearance in the Ted Shawn Theatre after first introducing his company to Pillow audiences on Inside/Out in 2009.
Bill T. Jones / Arnie Zane Dance Company
Serenade / The Proposition, 2010
Seen here is Serenade/The Proposition, one of three works Bill T. Jones created to commemorate the bicentennial of Abraham Lincoln’s birth.
Alvin Ailey American Dance Theater
"I Wanna Be Ready" from Revelations, 2007
“I Wanna Be Ready” was added to Revelations when it was first performed at the Pillow in 1961, and recreated here by Matthew Rushing in 2007.
Zaccho Dance Theatre
Invisible Wings, 1998
This memorable site-specific work linked the Pillow’s past as a stop on the Underground Railroad with contemporary dance and music. In addition to this clip, much more can be found in a multi-media essay on choreographer Joanna Haigood.
Urban Bush Women
Praise House, 1990
Co-choreographed by company director Jawole Willa Jo Zollar and Pat Hall-Smith, Praise House was co-commissioned by Jacob’s Pillow and presented here just weeks after its world premiere in 1990. It was inspired by the paintings and writings of Southern visionary artist Minnie Evans. Essays on Zollar and her work are now available online, one by John Perpener and another by Maura Keefe.
Chicken Soup, 1989
Her most famous work, the 1981 Chicken Soup, was inspired by childhood memories of her grandmother at work in the kitchen.
Scene Seen, 1988
A true rarity, this is the only known recording of Jamison dancing a work made especially for her by Garth Fagan in 1988, entitled Scene Seen.
Flight of the Bumblebee, 1983
This tap dance legend performed at Jacob’s Pillow only once, but fortunately the cameras were rolling and we have this record of a classic Collins solo.
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